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Shown left-right: incoming singers of the 2025/2026 Ensemble Studio, Ariana Maubach, Angelo Moretti, Nicholas Murphy, Emma Pennell, and Ben Wallace (all photos submitted by the artist).

Ensemble Studio to Welcome Five New Singers for 2025/2026 Season

By Newswire on 16 January 2025 Newswire, Opera, Toronto, Vocal

Toronto – The Canadian Opera Company’s prestigious Ensemble Studio for artistic career development has invited five of the country’s most talented artists to join next season, marking the 45th anniversary of the COC’s innovative program for singers and pianists. Soprano Emma Pennell, mezzo-soprano Ariana Maubach, tenor Angelo Moretti, baritone Ben Wallace, and bass-baritone Nicholas Murphy will join the company’s highly specialized program for Canadian opera professionals in 2025/2026, alongside two returning Ensemble Studio members entering their second year of the program, soprano Emily Rocha and bass Duncan Stenhouse. Last fall, following a national audition tour, Maubach, Pennell, and Murphy all placed as finalists at the COC’s 11th annual Centre Stage: Ensemble Studio Competition, with Pennell securing Second Prize and Maubach clinching both First Prize and…

Soprano Lauren Margison and tenor Colin Ainsworth.

Review | Lauren Margison & Colin Ainsworth Shine in OIC Alceste

By Gianmarco Segato on 13 January 2025 Concert Reviews, Opera, Toronto

Although Toronto audiences have experienced memorable Robert Carsen stagings of two operas by Christoph Willibald Gluck in relatively recent seasons (Orfeo ed Euridice and Iphigénie en Tauride, both in 2011), Voicebox: Opera in Concert (OIC)’s Jan. 12th presentation of his Alceste (1767) is a Canadian premiere. Its 1769 preface was a de facto manifesto outlining Gluck’s ideals for operatic reform. The result is an opera stripped bare of virtuosic vocal display that relies on expert articulation of its French text to make an effect. Happily, in soprano Lauren Margison and tenor Colin Ainsworth, OIC had found two exemplars of French,…

TSO conducted by Anja Bihlmaier at Roy Thomson Hall. Photo: Jae Yang

Review | TSO Delights with Dvořák and Mozart Crowd-Pleasers

By Denise Lai on 13 January 2025 Classical Music, Concert Reviews, Orchestral, Toronto

The Toronto Symphony Orchestra (TSO) heralded the new year with two audience favourites: Mozart’s Clarinet Concerto in A Major, K. 622 and Dvořák’s Symphony No. 9 in E minor, op. 95 (“From the New World”). On Jan. 12, the concert opens with the usual choice of a rarely-performed modern piece. Most Toronto audiences, myself included, are unfamiliar with Grażyna Bacewicz, even though she was one of Poland’s most well-regarded composers of the mid-20th century. Her “Concerto for String Orchestra” is her best-known and most-performed piece, and considered a prime example of Polish neoclassicism, showcasing Bacewicz’s style of blending traditional and…

Cast of Koerner Hall's Into the Woods. Photo: RCM/Lisa Sakulensky

Review | Stellar cast enlivens flawed Into the Woods at Koerner Hall

By Gianmarco Segato on 31 December 2024 Concert Reviews, La Scena Online, Opera, Popular Music, Toronto, Vocal

The nearly 40-year-old musical Into the Woods, with music and lyrics by the legendary Stephen Sondheim and book by American playwright James Lapine, has become a staple on North American stages. Its appeal is clearly linked to an ingenious amalgamation of familiar characters from classic fairy tales like Cinderella, Little Red Riding Hood and Jack and the Beanstalk. Their stories are utilised to deliver a universal message that boils down to “be careful what you wish for”. Koerner Hall has assembled a cast which includes the crème de la crème of Canadian musical theatre in a smartly-staged production by Richard…

Holly Chaplin in the title role of Toronto Operetta Theatre's Countess Maritza. Photo: Gary Beechey

Review | Toronto Operetta Theatre’s Marvellous Countess Maritza

By Gianmarco Segato on 30 December 2024 Concert Reviews, Opera, Toronto, Vocal

As is their tradition, Toronto Operetta Theatre livens up the in-between-Christmas-to-New Year lull with an annual production of a classic, golden age operetta. This year, it’s Hungarian composer Imre Kálmán’s Countess Maritza with its non-stop succession of great tunes and authentic czardas-infused rhythms. TOT can always be relied on to present some of the best young Canadian talent and this was certainly no exception at Dec. 29th’s opening performance. A Maritza that moves TOT’s General Director, Guillermo Silva-Marin is also the show’s stage director and he does a lot with comparatively modest means. Maritza’s country mansion is appropriately decorated with…

Job Posting – TSO Resident Conductor / TSYO Conductor

By Newswire on 21 December 2024 Arts Industry, Employment, Newswire, Orchestral, Toronto

The Toronto Symphony Orchestra (TSO) announces the opening of two staff conductor positions—(1) TSO Resident Conductor, and (2) Toronto Symphony Youth Orchestra (TSYO) Conductor—to begin during the 2025-26 concert season. Qualified candidates may submit an application for a full-time contract for both positions or a part-time contract for one of the positions. TSO Resident Conductor The TSO Resident Conductor will work closely with Music Director Gustavo Gimeno, TSO administrative staff, and the musicians of the TSO. This two-season position (2025-26 and 2026-27) includes significant repertoire building through a combination of covering assigned TSO concerts and rehearsals and conducting select concerts.…

Sheku and Isata Kanneh-Mason in Koerner Hall, May 2022. Photo: Lisa Sakulensky Photography

Air Canada denies Sheku Kanneh-Mason & cello boarding forcing new RCM date

By Newswire on 12 December 2024 Classical Music, Newswire, Piano, Strings, Toronto

In an unfortunate incident on December 11, celebrated British cellist Sheku Kanneh-Mason was denied boarding on an Air Canada flight with his cello. This resulted in him and his sister, pianist Isata Kanneh-Mason, missing a sold-out concert at The Royal Conservatory of Music’s Koerner Hall, which was to take place that evening. The Kanneh-Masons issued the following statement on December 11: Dear everyone, We are deeply sad to not be able to perform for you this evening. We had severe misfortune with the flights today, including a cancelled flight and denial of boarding with cello on another. We really value all of your…

Jan Mráček (soloist) with the Czech Philharmonic conducted by Semyon Bychkov. Photo: Petra Hajská

Review | Czech Philharmonic: A Rare Treat of Czech Music in Canada

By Denise Lai on 10 December 2024 Classical Music, Concert Reviews, Orchestral, Toronto

2024 is the Year of Czech Music. Inaugurated in 1924 to celebrate the centenary of the birth of Bedřich Smetana, this tradition occurs every decade in the year ending in 4, which also marks other important milestones in Czech music history: Smetana’s death in 1884, Leoš Janáček’s birth in 1854, and Antonin Dvořák’s death in 1904. How fortunate for us in Toronto that the 129-year-old Czech Philharmonic concluded the 100th anniversary of this celebration with two concerts in our city, as part of its North American tour in which the orchestra also played at Carnegie Hall. It was even more…

Czech Philharmonic conducted by Semyon Bychkov at Koerner Hall. Photo: Petra Hajská

Review | Czech Philharmonic Triumphs with Celebratory Program at Toronto’s Koerner Hall

By Gianmarco Segato on 10 December 2024 Classical Music, Concert Reviews, Orchestral, Toronto

The Czech Philharmonic’s guest appearance at Toronto’s Koerner Hall on Dec. 7 is part of a year-long series of concerts they are presenting the world-over in honour of the year of Czech music. Years that end in 4 often coincide with the anniversaries of the birth, death, or creation of key works of the most prominent Czech composers. 2024 coincides with anniversaries of several great Czech composers including the 200th of Bedřich Smetana’s birth and the 120th Antonín Dvořák’s death. Both were the focus of Dec. 7’s concert led by the orchestra’s Chief Conductor and Music Director, Semyon Bychkov. The…

Sonoyo Nishikawa Wins the 2024 Siminovitch Prize

By Newswire on 3 December 2024 Newswire, Theatre, Toronto

Toronto, ON (December 2, 2024) — Montreal-based lighting designer Sonoyo Nishikawa, acclaimed for her transformative and evocative lighting designs, is this year’s winner of Canada’s most valuable theatre award. Since 2001, the Siminovitch Prize has celebrated groundbreaking theatre artists whose work has strengthened the Canadian theatre landscape and advanced the art form. With a career spanning continents and collaborations with leading theatre artists, Nishikawa has established herself as a pioneering force in Canadian theatre. Sonoyo Nishikawa, the 2024 Siminovitch Prize Laureate, has selected Mayumi Ide-Bergeron as the Siminovitch Prize Protégé. “Sonoyo Nishikawa’s designs push the boundaries of what we expect lighting…

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