{"id":355853,"date":"2018-02-07T12:47:11","date_gmt":"2018-02-07T16:47:11","guid":{"rendered":"http:\/\/myscena.org\/paul-robinson\/cd-review-tales-two-cities-leipzig-damascus-coffee-house\/"},"modified":"2018-02-07T12:50:32","modified_gmt":"2018-02-07T16:50:32","slug":"cd-review-tales-two-cities-leipzig-damascus-coffee-house","status":"publish","type":"post","link":"https:\/\/aapadmin2.myscena.org\/fr\/paul-e-robinson\/cd-review-tales-two-cities-leipzig-damascus-coffee-house\/","title":{"rendered":"Critique de Disque – Tales of Two Cities: The Leipzig-Damascus Coffee House"},"content":{"rendered":"
Tales of Two Cities: The Leipzig-Damascus Coffee House
\nTafelmusik Baroque Orchestra\/Jeanne Lamon. Trio Arabica. Alon Nashman et Maryem Tollar, narration. Con\u00e7u par Alison Mackay. Tafelmusik Media TMK 1035 DVD et CD. Dur\u00e9e\u00a0: 97\u00a0min\u00a015\u00a0s. (DVD); 70\u00a0min (CD).<\/h6>\n

\"\"<\/a>Membre fondatrice de Tafelmusik, Alison Mackay a \u00e9galement d\u00e9velopp\u00e9 des projets multidisciplinaires tels que The Four Seasons: A Cycle of the Sun, The Galileo Project <\/em>ou House of Dreams<\/em>. Le plus r\u00e9cent, Tales of Two Cities<\/em>, rassemble la musique, l\u2019histoire et la culture de l\u2019Europe et du monde musulman, attirant l\u2019attention sur ce que nous avons partag\u00e9 pendant des si\u00e8cles.<\/p>\n

Leipzig et Damas ont longtemps \u00e9t\u00e9 importants en tant que centres de commerce, d\u2019apprentissage et d\u2019\u00e9rudition. Mackay et le metteur en sc\u00e8ne Marshall Pynkoski r\u00e9unissent le Tafelmusik Baroque Orchestra et le Trio Arabica, ce dernier jouant du qanun, de l\u2019oud et de la percussion sur la sc\u00e8ne du Mus\u00e9e Aga Khan \u00e0 Toronto. Alon Nashman fournit une narration vivante.<\/p>\n

Pr\u00e9enregistr\u00e9 \u00e0 la Grace Church on-the-Hill, le CD fournit la bande-son du DVD. Peu importe, tout fonctionne \u00e0 merveille. Le jeu sous Jeanne Lamon est superbe. Le violon Patrick G. Jordan est merveilleux dans le concerto de Telemann; la violoniste Aisslinn Noksy est magnifique dans Torelli. Trio Arabica n\u2019est pas moins impressionnant dans son monde musical. Maryem Tollar chante magnifiquement et le travail (amplifi\u00e9) du percussionniste Naghmeh Farahmand est un tour de force. Les groupes jouent ensemble \u2013 parfaitement naturels \u2013 dans les premi\u00e8res et derni\u00e8res pi\u00e8ces.<\/p>\n

Un \u00e9l\u00e9ment en prime est inclus concernant la restauration de la salle de Damas \u00e0 Dresde, qui a inspir\u00e9 les d\u00e9cors utilis\u00e9s lors du concert de Tafelmusik \u00e0 Toronto. Nous avons entendu parler des r\u00e9fugi\u00e9s syriens et de leur accueil chaleureux au Canada. Tales of Two Cities<\/em> nous donne l\u2019espoir que les cultures peuvent apprendre \u00e0 s\u2019\u00e9treindre et m\u00eame s\u2019enrichir mutuellement. PR<\/p>\n

Traduit par M\u00e9lissa Brien<\/p>\n","protected":false},"excerpt":{"rendered":"

Tales of Two Cities: The Leipzig-Damascus Coffee House Tafelmusik Baroque Orchestra\/Jeanne Lamon. Trio Arabica. Alon Nashman et Maryem Tollar, narration. Con\u00e7u par Alison Mackay. Tafelmusik Media TMK 1035 DVD et CD. Dur\u00e9e\u00a0: 97\u00a0min\u00a015\u00a0s. (DVD); 70\u00a0min (CD). Membre fondatrice de Tafelmusik, Alison Mackay a \u00e9galement d\u00e9velopp\u00e9 des projets multidisciplinaires tels que The Four Seasons: A Cycle<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2769,"featured_media":355852,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17259,17265,17038,394,17273,17286],"tags":[35122,35123],"class_list":{"0":"post-355853","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-ancienne-et-baroque","8":"category-contemporaine","9":"category-critiques-de-disques-et-livres","10":"category-musique-classique","11":"category-musique-de-chambre","12":"category-musiques-du-monde","13":"tag-alison-mackay-fr","14":"tag-tafelmusik-fr","15":"type-critique-de-disque","16":"volume-volume-23","17":"issue-vol-23-issue-5-fr","18":"section-critiques"},"acf":[],"aioseo_notices":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355853"}],"collection":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=355853"}],"version-history":[{"count":0,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/355853\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/media\/355852"}],"wp:attachment":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=355853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=355853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=355853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}