{"id":1053837,"date":"2024-02-23T11:02:42","date_gmt":"2024-02-23T16:02:42","guid":{"rendered":"https:\/\/myscena.org\/?p=1053837"},"modified":"2024-02-23T16:18:41","modified_gmt":"2024-02-23T21:18:41","slug":"lhebdo-lebrecht-bezhod-abduraimov-shadows-of-my-ancestors-alpha-classics","status":"publish","type":"post","link":"https:\/\/aapadmin2.myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-bezhod-abduraimov-shadows-of-my-ancestors-alpha-classics\/","title":{"rendered":"L&rsquo;Hebdo Lebrecht | Bezhod Abduraimov : Shadows of My Ancestors (Alpha-Classics)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1053831 alignleft\" src=\"https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-1024x1024.jpg\" alt=\"\" width=\"202\" height=\"202\" srcset=\"https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-1024x1024.jpg 1024w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-300x300.jpg 300w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-150x150.jpg 150w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-768x768.jpg 768w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-1536x1536.jpg 1536w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-2048x2048.jpg 2048w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-600x600.jpg 600w, https:\/\/aapadmin2.myscena.org\/wp-content\/uploads\/2024\/02\/AJ1028-1-100x100.jpg 100w\" sizes=\"(max-width: 202px) 100vw, 202px\" \/><\/p>\n<p>Le pianiste ouzbek Abduraimov a fait irruption sur la sc\u00e8ne il y a une douzaine d&rsquo;ann\u00e9es avec des enregistrements exceptionnels de Prokofiev pour Decca. Il revient sur une \u00e9tiquette plus modeste interpr\u00e9tant avec fracas dix morceaux de <em>Rom\u00e9o et Juliette <\/em>du m\u00eame compositeur. Son \u00e9nergie est telle que l&rsquo;on craint pour le piano anonyme, qui peine d\u00e9sesp\u00e9r\u00e9ment dans les premi\u00e8res lignes.<\/p>\n<p>Du c\u00f4t\u00e9 plus sentimental de la s\u00e9rie, Abduraimov fait fondre le c\u0153ur de l&rsquo;auditeur comme neige au soleil. C&rsquo;est un grand manipulateur d\u2019\u00e9motions et nous devrions l&rsquo;entendre beaucoup plus souvent dans les grandes salles de r\u00e9cital. Son interpr\u00e9tation du <em>Gaspard de la nuit<\/em> de Ravel est ombrageuse au point d\u2019incarner une menace fantomatique, \u00e0 ne pas consommer avant d\u2019aller se coucher.<\/p>\n<p>Cela occupe la moiti\u00e9 du titre de l&rsquo;album. La seconde moiti\u00e9 est probl\u00e9matique. Abduraimov joue <em>The Walls of Ancient Bukhara<\/em> d&rsquo;une compositrice compatriote chevronn\u00e9e, Dilorom Saidaminova, qui f\u00eate ses 80 ans cette ann\u00e9e. L&rsquo;\u0153uvre semble \u00eatre un pi\u00e8ge \u00e0 touristes. Elle est pleine d&rsquo;images exotiques et de sons indig\u00e8nes, mais manque en structure, coh\u00e9rence ou substance. Elle sera peut-\u00eatre bien accueillie \u00e0 Tachkent, mais moins bien ailleurs.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du c\u00f4t\u00e9 plus sentimental de la s\u00e9rie de Prokofiev sur cet album, Behzod Abduraimov fait fondre le c\u0153ur de l&rsquo;auditeur comme neige au soleil.<\/p>\n","protected":false},"author":2760,"featured_media":1053834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360,17267,17263],"tags":[30880,57843,28797],"class_list":{"0":"post-1053837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"category-piano-fr","9":"category-romantique","10":"tag-behzod-abduraimov","11":"tag-dilorom-saidaminova-fr","12":"tag-piano-fr-2"},"acf":[],"aioseo_notices":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1053837"}],"collection":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1053837"}],"version-history":[{"count":0,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1053837\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/media\/1053834"}],"wp:attachment":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1053837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1053837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1053837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}