{"id":1041482,"date":"2023-09-01T09:00:08","date_gmt":"2023-09-01T13:00:08","guid":{"rendered":"https:\/\/myscena.org\/?p=1041482"},"modified":"2023-08-31T11:11:23","modified_gmt":"2023-08-31T15:11:23","slug":"critique-cd-max-bruch-violin-concerto-no-1-florence-price-violin-concertos-nos-1-2-adoration-decca-records-2023","status":"publish","type":"post","link":"https:\/\/aapadmin2.myscena.org\/fr\/paul-e-robinson\/critique-cd-max-bruch-violin-concerto-no-1-florence-price-violin-concertos-nos-1-2-adoration-decca-records-2023\/","title":{"rendered":"Critique CD | Max Bruch : Violin Concerto No. 1; Florence Price: Violin Concertos Nos. 1 & 2, Adoration (Decca Records, 2023)"},"content":{"rendered":"

Max Bruch: Violin Concerto No. 1; Florence Price: Violin Concertos Nos. 1 & 2, Adoration
\n<\/i><\/b>Randall Goosby, violon; Philadelphia Orchestra, Yannick N\u00e9zet-S\u00e9guin, chef
\nDecca Records, 2023<\/p><\/blockquote>\n

\"\"<\/p>\n

Randall Goosby est un jeune violoniste am\u00e9ricain r\u00e9cemment dipl\u00f4m\u00e9 de Juilliard. Dans le concerto de Bruch, Goosby semble quelque peu d\u00e9pass\u00e9 par l\u2019accompagnement puissant des Philadelphiens, dirig\u00e9s par Yannick N\u00e9zet-S\u00e9guin. L\u2019orchestre dirige, tandis qu\u2019il semble suivre.<\/p>\n

L\u2019album pr\u00e9sente deux concertos de Florence Price, qui n\u2019ont jamais \u00e9t\u00e9 jou\u00e9s de son vivant et n\u2019ont \u00e9t\u00e9 d\u00e9couverts qu\u2019apr\u00e8s sa mort. Le Concerto pour violon n\u00b0 1<\/i>, de 1939, est une affaire sinueuse, en particulier dans le premier mouvement. Le deuxi\u00e8me mouvement est assez beau, mais le finale se termine de mani\u00e8re abrupte. Bien que le concerto lui-m\u00eame ne soit pas particuli\u00e8rement r\u00e9ussi, Goosby r\u00e9ussit \u00e0 relever les d\u00e9fis techniques qu\u2019il pose.<\/p>\n

Le Concerto pour violon n\u00b0 2<\/i> date de 1952, l\u2019ann\u00e9e pr\u00e9c\u00e9dant la mort de Price \u00e0 l\u2019\u00e2ge de 66 ans. Il est plus court et semble largement bas\u00e9 sur un spiritual, semblable aux mouvements lents de ses premi\u00e8re et troisi\u00e8me symphonies. L\u2019orchestre est accompagn\u00e9 d\u2019un violon solo, qui joue principalement des figurations autour de la m\u00e9lodie. Adoration<\/i>, qui cl\u00f4t l\u2019album, est un morceau court et charmant, d\u00e9j\u00e0 populaire en rappel. Je l\u2019ai r\u00e9cemment entendu \u00e0 ce titre lors d\u2019un concert au Bravo! Vail Music Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Max Bruch: Violin Concerto No. 1; Florence Price: Violin Concertos Nos. 1 & 2, Adoration Randall Goosby, violon; Philadelphia Orchestra, Yannick N\u00e9zet-S\u00e9guin, chef Decca Records, 2023 Randall Goosby est un jeune violoniste am\u00e9ricain r\u00e9cemment dipl\u00f4m\u00e9 de Juilliard. Dans le concerto de Bruch, Goosby semble quelque peu d\u00e9pass\u00e9 par l\u2019accompagnement puissant des Philadelphiens, dirig\u00e9s par Yannick<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2769,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17269,17038],"tags":[46022,37290,45922,43598],"class_list":{"0":"post-1041482","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-cordes","7":"category-critiques-de-disques-et-livres","8":"tag-florence-price","9":"tag-orchestre-de-philadelphie-fr","10":"tag-randall-goosby-fr","11":"tag-yannick-nezet-seguin-fr-4","12":"volume-volume-29","13":"issue-vol-29-issue-1-fr","14":"section-critiques"},"acf":[],"aioseo_notices":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1041482"}],"collection":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=1041482"}],"version-history":[{"count":0,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/posts\/1041482\/revisions"}],"wp:attachment":[{"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=1041482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=1041482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aapadmin2.myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=1041482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}